Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature

- Editorial Group | Submission Information -

Full Listing of Contents:
- Articles | Bibliography | Notes | Professional Notes | Interviews | Reviews |Theatre reviews | Readers' Forum | Forewords -

• Regular Series:
 
• Volume 1: 1.1 (April, 1995) | 1.2 (August, 1995) | 1.3 (December, 1995)
• Volume 2: 2.1 (April, 1996) | 2.2 (August, 1996) | 2.3 (December, 1996)
• Volume 3: 3.1 (May, 1997)  | 3.2 (September, 1997) | 3.3 (January, 1998)
• Volume 4: 4.1 (May, 1998)  | 4.2 (September, 1998) | 4.3 (January, 1999)
• Volume 5: 5.1 (May, 1999)  | 5.2 (September, 1999) | 5.3 (January, 2000)
• Volume 6: 6.1 (May, 2000)  | 6.2 (September, 2000) | 6.3 (January, 2001)
• Volume 7: 7.1 (May, 2001)  | 7.2 (September, 2001) | 7.3 (January, 2002)
• Volume 8: 8.1 (May, 2002)  | 8.2 (September, 2002) | 8.3 (January, 2003)
• Volume 9: 9.1 (May, 2003)  | 9.2 (September, 2003) | 9.3 (January, 2004)
• Volume 10: 10.1 (May, 2004) | 10.2 (September, 2004) |10.3 (January, 2005)
• Volume 11: 11.1 (May, 2005) | 11.2 (September, 2005) |11.3 (January, 2006)
• Volume 12: 12.1 (May, 2006) | 12.2 (September, 2006) | 12.3 (January, 2007)
• Volume 13: 13.1 (May, 2007) | 13.2 (September, 2007) | 13.3 (January, 2008)
• Volume 14: 14.1 (May, 2008)
  

 
• Special Issue Series:
 
• Number 1: New Scholarship from Old Renaissance Dictionaries: Applications of the Early Modern English Dictionaries Database. Ian Lancashire and Michael Best, eds. (April, 1997).
• Number 2: The Internet Shakespeare: Opportunities in a New Medium. Michael Best, ed. (January, 1998).
• Number 3: Literature and Geography. Richard Helgerson and Joanne Woolway Grenfell, eds. (September, 1998).
• Number 4: Renaissance Literary Studies and Humanities Computing. R.G. Siemens and David R. Shore, eds. (January, 2000).
• Number 5: Shakespeare on Screen. Michael Best, Lisa Hopkins and R.G.Siemens, eds. (May, 2000).
• Number 6: Women Writers. Lisa Hopkins, ed. (January, 2001).
• Number 7: Wrestling with God: Literature and Theology in the English Renaissance, Essays to Honour Paul Grant Stanwood. Mary Ellen Henley and W.Speed Hill, with R.G.Siemens, eds. (May, 2001).
• Number 8: Listening to the Early Modern. Matthew Steggle, ed. (May, 2001).
• Number 9: Constructions of the Early Modern Subject. Paul Dyck and Matthew Martin, eds. (January, 2002).
• Number 10: Gold on the Early Modern Stage. Lisa Hopkins, ed.
• Number 11: Middleton. Lisa Hopkins and Matthew Martin, eds.
• Number 12: Monitoring Electronic Shakespeares. Michael Best and Eric Rasmussen, eds.
• Number 13: Computer modelling of performance spaces. Gabriel Egan, ed.
• Number 14: Essays from the Fifth Biennial International Margaret Cavendish Conference. Lisa Hopkins, Emma Rees, and Gweno Williams, eds.
• Number 15: Court culture 1642-1660. Jerome de Groot and Peter Sillitoe, eds.
• Number 16: The Long 1590s. Annaliese Connolly and Lisa Hopkins, eds.
• Number 17: George Gascoigne. Stephen Hamrick, ed.

 

EMLS (ISSN 1201-2459) is published three times a year for the on-line academic community by agreement with, and with the support of, the Humanities Research Centre, Sheffield Hallam University. EMLS is indexed by the MLA International Bibliography, the Modern Humanities Research Association's Annual Bibliography of English Language and Literature (ABELL), and is linked to from the resource pages of scholarly journals, libraries, educational institutions, and others worldwide.

EMLS does not appear in print form, but can be obtained free of charge in hypertextual format on the World Wide Web at

http://purl.oclc.org/emls/emlshome.html

The EMLS site is mirrored at the University of Toronto .  EMLS is a participant in the National Library of Canada's Electronic Publications Pilot Project, where it is also archived; it is also archived by the Committee on Institutional Cooperation (CIC) Electronic Journals Collection
and Stanford University's LOCKSS program.

---

Articles (Alphabetical, by Author)

• Abrams, Richard, University of Southern Maine. Meet the Peters. [8.2 / Special Issue 10]
• Acheson, Katherine O., University of Waterloo. "Outrage your face": Anti-Theatricality and Gender in Early Modern Closet Drama by Women. [6.3/ Special Issue 6]
• Akkerman, Nadine N.W., Vrije Universiteit Amsterdam, and Marguérite Corporaal, University of Groningen. Mad Science Beyond Flattery: The Correspondence of Margaret Cavendish and Constantijn Huygens. [Special Issue 14]
• Rayne Allinson, (Magdalen College, Oxford) "'These latter days of the world': the Correspondence of Elizabeth I and James VI, 1590-1603". [Special Issue 16]
• Appelbaum, Robert, University of Cincinnati.  Anti-geography. [4.2 / Special Issue 3]
• Ardolino, Frank, University of Hawaii. The Influence of Spenser's Faerie Queene on Kyd's Spanish Tragedy. [7.3]
• John Astington (University of Toronto). Actors and the Court after 1642. [Special Issue 15]
• Aune, M. G., North Dakota State University. Elephants, Englishmen and India: Early Modern Travel Writing and the Pre-Colonial Moment. [11.1]
• Gillian Austen, University of Bristol. Self-portraits and Self-presentation in the Work of George Gascoigne. [Special Issue 18]
• Barker, Roberta, and David Nicol, Dalhousie University. Does Beatrice Joanna Have a Subtext?: The Changeling on the London Stage. [10.1]
• Barker, William, Memorial University, and Mark Feltham, University of Western Ontario. The Web and the Book: The Memorial Electronic Edition of Andrea Alciato's Book of Emblems. [5.3 / Special Issue 4]
• Barton, Carol, Averett College. "In this dark world and wide": Samson Agonistes and the Meaning of Christian Heroism. [5.2]
• Barton, Carol, Averett College. "To stand upright will ask thee skill": The Pinnacle and the Paradigm [6.2]
• Benet, Diana Treviño, New York University. "Witness this Booke, (thy Embleme)": Donne's Holy Sonnets and Biography.  [Special Issue 7]
• Benkert, Lysbeth, Northern State University. Translation as Image-Making: Elizabeth I's Translation of Boethius's Consolation of Philosophy. [6.3/ Special Issue 6]
• Bennett, Alexandra G., Northern Illinois University. Happy Families and Learned Ladies:Margaret Cavendish, William Cavendish, and their onstage academy debate. [Special Issue 14]
• Bennett, Alexandra G., Northern Illinois University. “Now let my language speake”: The Authorship, Rewriting, and Audience(s) of Jane Cavendish and Elizabeth Brackley. [11.2]
• Best, Michael, University of Victoria, BC. Afterword: Dressing Old Words New [The Internet Shakespeare: Opportunities in a New Medium]. [3.3 / Special Issue 2]
• Best, Michael, University of Victoria, BC. Foreword. The Internet Shakespeare: Opportunities in a New Medium. [3.3 / Special Issue 2]
• Best, Michael, University of Victoria, BC. From Book to Screen: A Window on Renaissance Electronic Texts.[1.2]
• Best, Michael, University of Victoria, and Ian Lancashire, University of Toronto. New Scholarship from Old Renaissance Dictionaries Applications of the Early Modern English Dictionaries Database. Editorial Preface. [Special Issue 1]
• Marcie Bianco (Rutgers University). "To Sodomize a Nation: Edward II, Ireland, and the Threat of Penetration ". [Special Issue 16]
• Billing, Christian, University of Hull. Modelling the anatomy theatre and the indoor hall theatre: Dissection on the stages of early modern London. [Special Issue 13]
• Binda, Hilary J., Tufts University. Hell and Hypertext Hath No Limits: Electronic Texts and the Crises in Criticism. [5.3 / Special Issue 4]
• Blissett, William C., University College, University of Toronto. "The strangest pageant, fashion'd like a court": John Donne and Ben Jonson to 1600 -- Parallel Lives. [Special Issue 7]
• Booth, Roy, Royal Holloway. Hero’s Afterlife: Hero and Leander and ‘lewd unmannerly verse’ in the late Seventeenth Century. [12.3]
• Witchcraft, flight and the early modern English stage. [3] Roy Booth, Royal Holloway University of London.
• Booty, John E., Episcopal Church, USA. The Core of Elizabethan Religion. [Special Issue 7]
• Bowen, William R., University of Toronto. Iter: Where Does the Path Lead? [5.3 / Special Issue 4]
• Bowers, Rick, University of Alberta. Comedy, Carnival, and Class: A Chaste Maid in Cheapside. [8.3 / Special Issue 11]
• Bridge, G. Richmond, St. Paul's Episcopal Church, New Smyrna Beach, Florida. Trumpet Vibrations: Theological Reflections on Donne's Doomsday Sonnet. [Special Issue 7]
• Karen Britland (Keele University). 'Tyer'd in her Banish'd dress': Henrietta Maria in exile. [Special Issue 15]
• Bromley, James M., Loyola University, Chicago. Intimacy and the Body in Seventeenth-Century Religious Devotion. [11.1]
• Brunning, Alizon, University of Central Lancashire."In his gold I shine": Jacobean Comedy and the art of the mediating trickster. [8.2 / Special Issue 10]
• Brunning, Alizon, University of Central Lancashire. Jonson's Romish Foxe: Anti-Catholic Discourse in Volpone. [6.2]
• Brunning, Alizon, University of Central Lancashire. "O, how my offences wrestle with my repentance!": The Protestant Poetics of Redemption in Thomas Middleton's A Chaste Maid in Cheapside. [8.3 / Special Issue 11]
• Bruster, Douglas, University of Texas at Austin. Critical Subjects. [Special Issue 9]
• Buick, Stephen, University of Toronto. "That purpose which is plain and easy to be understood": Using the Computer Database of Early Modern English Dictionaries to Resolve Problems in a Critical Edition of The Second Tome of Homilies (1563). [Special Issue 1]
• Burgess, Irene, Wheeling Jesuit University. "The Wreck of Order" in Early Modern Women's Drama. [6.3/ Special Issue 6]
• Burke, Victoria, University of Ottowa. Ann Bowyer's Commonplace Book (Bodleian Library Ashmole MS 51): Reading and Writing Among the "Middling Sort". [6.3/ Special Issue 6]
• Bushnell, Rebecca, University of Pennsylvania. Reinventing Rare Books: The "Virtual Furness Shakespeare Library" at the University of Pennsylvania. [5.3 / Special Issue 4]
• Carey-Webb, Allen, Western Michigan University. National and Colonial Education in Shakespeare's The Tempest. [5.1]
• Carlson, David R., University of Ottawa. Skelton and Barclay, Medieval and Modern. [1.1]
• Carson, Christie, Royal Holloway University of London. A report on Virtual Reality (VR) in theatre history research: Creating a spatial context for performance. [Special Issue 13]
• Carter, Sarah, Warwick University.From the ridiculous to the sublime: Ovidian and Neoplatonic registers in A Midsummer Night’s Dream. [12.1]
• Catt, Mark, University of Toronto. Renaissance Dictionaries and Shakespeare's Language: A Study of Word-meaning in Troilus and Cressida. [Special Issue 1]
• Jennifer Clement, Vanderbilt University. The Queen’s Voice: Elizabeth I’s Christian Prayers and Meditations. [13.3]
• Connolly, Annaliese, Sheffield Hallam University. O unquenchable thirst of gold": Lyly's Midas and the English quest for Empire. [8.2 / Special Issue 10]
• Connolly, Annaliese, Sheffield Hallam University. "Peele's David and Bethsabe: Reconsidering Biblical Drama of the Long 1590s " [Special Issue 16]
• Cook, Patrick J., George Washington University. Beggary/Buggery and Oedipal Conflict in Thomas Middleton’s The Phoenix.  [12.2]
• Cormack, Lesley, University of Alberta.  Britannia Rules the Waves?: Images of Empire in Elizabethan England. [ 4.2 / Special Issue 3]
• Corporaal, Marguérite, University of Groningen. An Empowering Wit and an "Unnatural" Tragedy: Margaret Cavendish's Representation of the Tragic Female Voice. [Special Issue 14]
• Corporaal, Marguérite, University of Leiden, the Netherlands. Love, Death and Resurrection in Tragicomedies by Seventeenth-Century English Women Dramatists. [12.1]
• Cousins A. D., and R. J. Webb, Macquarie University.Appropriating and Attributing the Supernatural in the Early Modern Country House Poem. [11.2]
• Cox, Nick, Leeds Metropolitan University. "Subjected thus": Plague and Panopticism in Richard II. [6.2]
• Craig, Hugh. University of Newcastle, New South Wales. Common-words frequencies, Shakespeare's style, and the Elegy by W. S. [8.1]
• Curran, Kevin, McGill University. Virtual Scholarship: Navigating Early Modern Studies on the World Wide Web. [12.1]
• Davidson, Mary Catherine, University of Toronto. Did Shakespeare Consciously Use Archaic English? [Special Issue 1]
• Dawson, Lesel, University of Bristol. "New Sects of Love": Neoplatonism and Constructions of Gender in Davenant's The Temple of Love and The Platonick Lovers. [8.1]
• Dickson, Lisa, University of North British Columbia. The Prince of Rays: Spectacular Invisibility in Spenser's The Faerie Queene.  [12.2]
• DiMatteo, Anthony, New York Institute of Technology. Shakespeare and the Public Discourse of Sovereignty: “Reason of State” in Hamlet. [10.2]
• Doerksen, Daniel W., University of New Brunswick. Milton and the Jacobean Church of England. [1.1]
• Dooley, Mark, University of Teesside. The Healthy Body: Desire and Sustenance in John Lyly's Love's Metamorphosis. [6.2]
• Dorval, Patricia, Université Paul Valéry. Shakespeare on Screen: Threshold Aesthetics in Oliver Parker's Othello. [6.1 / Special Issue 5]
• Downs-Gamble, Margaret, Virginia Tech. New Pleasures Prove: Evidence of Dialectical Disputatio in Early Modern Manuscript Culture. [2.2]
• Duncan, Helga, Stonehill College.“Headdie Ryots” as Reformations: Marlowe’s Libertine Poetics. [12.2]
• Andy Duxfield (Sheffield Hallam University). "'Resolve me of all ambiguities': Doctor Faustus and the Failure to Unify". [Special Issue 16]
• Dyck, Paul, University of Alberta, and R.G. Siemens, Malaspina University College; Jennifer Lewin, Yale University, and Joanne Woolway Grenfell, Oriel College, Oxford. The Janus-Face of Early Modern Literary Studies: Negotiating the Boundaries of Interactivity in an Electronic Journal for the Humanities.  [5.3 / Special Issue 4]
• The Rumbling Belly Politic: Metaphorical Location and Metaphorical Government in Coriolanus. [2] Nate Eastman, Lehigh University.
• Edwards, Jess, London Metropolitan University. How to Read an Early Modern Map: Between the Particular and the General, the Material and the Abstract, Words and Mathematics [9.1]
• Egan, Gabriel, Shakespeare's Globe and King's College London. The 1599 Globe and its modern replica: Virtual Reality modelling of the archaeological and pictorial evidence. [Special Issue 13]
• Evans, Robert C., Auburn University Montgomery. Jonson's Stoic Politics: Lipsius, the Greeks, and the "Speach According to Horace." [4.1]
• Feltham, Mark, University of Western Ontario, and William Barker, Memorial University. The Web and the Book: The Memorial Electronic Edition of Andrea Alciato's Book of Emblems. [5.3 / Special Issue 4]
• Findlay, Alison, University of Lancaster. "I hate such an old-fashioned House": Margaret Cavendish and the search for home. [Special Issue 14]
• Finn, Patrick, St. Mary's College, Calgary. @ the Table of the Great: Hospitable Editing and the Internet Shakespeare Editions Project. [9.3 / Special Issue 12]
• Fisher, Joshua B., Wingate University."He is turned a ballad-maker": Broadside Appropriations in Early Modern England. [9.2]
• Fitter, Chris, Rutgers University, Camden. The Poetic Nocturne: From Ancient Motif to Renaissance Genre. [3.2]
• Fitter, Chris, Rutgers University. Historicising Shakespeare’s Richard II: Current Events, Dating, and the Sabotage of Essex. [11.2]
• Fitzmaurice, James, Northern Arizona University. The Intellectual and Literary Courtship of Margaret Cavendish. [Special Issue 14]
• Fitzpatrick, Tim, University of Sydney. Reconstructing Shakespeare's second Globe using 'Computer Aided Design' (CAD) tools. [Special Issue 13]
• Forsyth, Jennifer C., Oregon State University. Playing with Wench-like Words: Copia and Surplus in the Internet Shakespeare Edition of Cymbeline. [9.3 / Special Issue 12]
• Foster, Donald, Vassar College. A Romance of Electronic Scholarship; with the True and Lamentable Tragedies of Hamlet, Prince of Denmark. Part 1: The Words. [3.3 / Special Issue 2]
• Frassinelli, Pier Paolo, University of the Witwatersrand. Realism, Desire and Reification: Thomas Middleton's A Chaste Maid in Cheapside. [8.3 / Special Issue 11]
• Fujinaga, Ichiro, and Susan Forscher Weiss, The Peabody Conservatory. A Study of Early Music on CD-ROM.  [5.3 / Special Issue 4]
• Galey, Alan, University of Toronto.Dizzying the Arithmetic of Memory: Shakespearean Documents as Text, Image, and Code. [9.3 / Special Issue 12]
• Gilbert, Anthony, Lancaster University. Othello, the Baroque, and Religious Mentalities. [7.2]
• Gleckman, Jason, Chinese University of Hong Kong. Shakespeare as Poet or Playwright?:  The Player’s Speech in Hamlet. [11.3]
• Godshalk, W.L., University of Cincinnati. The Texts of Troilus and Cressida. [1.2]
• Gooch, Bryan N.S., University of Victoria. Donne and Britten: Holy Sonnets Set to Music. [Special Issue 7]
• Sara Gorman, Magdalen College, Oxford. The Theatricality of Transformation: cross-dressing, sexual misdemeanour and gender/sexuality spectra on the Elizabethan stage, Bridewell Hospital Court Records, and the Repertories of the Court of the Aldermen, 1574-1607. [13.3]
• Gorton, Lisa, Oxford University.  John Donne's Use of Space. [4.2 / Special Issue 3]
• Graham, Jean E., College of New Jersey. "Ay me": Selfishness and Empathy in "Lycidas." [2.3]
• Green, Paul D. The Muse of Mount Orgueil: a reading of William Prynne’s poetry [10.2]
• Green, Reina, Mount Saint Vincent University. Poisoned Ears and Parental Advice in Hamlet. [11.3]
• Grenfell, Joanne Woolway, Oxford University.  Significant Spaces in Edmund Spenser's View of the Present State of Ireland. [4.2 / Special Issue 3]
• Grenfell, Joanne Woolway, Oriel College, Oxford, and R.G. Siemens, Malaspina University College; Paul Dyck, University of Alberta; Jennifer Lewin, Yale University. The Janus-Face of Early Modern Literary Studies: Negotiating the Boundaries of Interactivity in an Electronic Journal for the Humanities.  [5.3 / Special Issue 4]
• Griffin, Andrew, McMaster University. The Banality of History in Troilus and Cressida. [12.2]
• Griffiths, Huw, University of Strathclyde.  Translated Geographies: Spenser's "Ruins of Time". [4.2 / Special Issue 3]
• Gurr, Andrew, University of Reading. Other Accents: Some Problems with Identifying Elizabethan Pronunciation. [ 7.1/ Special Issue 8]
• Stephen Guy-Bray (University of British Columbia). "Shakespeare and the Invention of the Heterosexual". [Special Issue 16]
• Hatchuel, Sarah, University of Paris IV Sorbonne. Leading the Gaze: From Showing to Telling in Kenneth Branagh's Henry V and Hamlet. [6.1 / Special Issue 5]
• Hagen, Tanya, University of Toronto. An English Renaissance Understanding of the Word "Tragedy," 1587-1616. [Special Issue 1]
• Hagerman, Anita M., Southwest Missouri State University. "But Worth pretends": Discovering Jonsonian Masque in Lady Mary Wroth's Pamphilia to Amphilanthus. [6.3 / Special Issue 6]
• Hale, John K., University of Otago. England as Israel in Milton's Writings. [2.2]
• Milton’s Titles. [4] John K. Hale, University of Otago.
• Hallett, Nicky, University of Kent at Canterbury. "as if it had nothing belonged to her": the Lives of Catherine Burton (1668 - 1714) as a Discourse on Method in Early Modern Life-writing. [7.3]
• Hamlin, William M., Washington State University. Elizabeth Cary's Mariam and the Critique of Pure Reason [9.1]
• Hampton-Reeves, Stuart, University of Central Lancashire. Alarums and Defeats: Henry VI on Tour. [5.2]
• Hamrick, Stephen, Minnesota State University, Moorhead. "Set in portraiture": George Gascoigne, Queen Elizabeth, and Adapting the Royal Image. [11.1]
• Hancock, Brecken Rose, University of New Brunswick.Roman or Revenger? The Definition and Distortion of Masculine Identity in Titus Andronicus. [10.1]
• Harrington, Maura Grace, Seton Hall University. Observations upon the Irish Devils: Echoes of Eire in Paradise Lost.[12.3]
• Hart, Jonathan, University of Alberta. Public/Private Subjectivity in the Early Modern Period: The Self Colonizing and Colonizing the Self [Special Issue 9]
• Elizabeth Heale, University of Reading. The fruits of war: The voice of the soldier in Gascoigne, Rich, and Churchyard. [Special Issue 18]
• Heaney, Peter F., Staffordshire University. Petruchio's Horse: Equine and Household Management in The Taming of the Shrew. [4.1]
• Heaney, Peter F., Staffordshire University. The Laureate Dunces and the Death of the Panegyric [5.1]
• Helgerson, Richard, UC Santa Barbara.  Introduction [4.2 / Special Issue 3]
• Henley, Mary Ellen, University of British Columbia.Wrestling with God: Introduction [Special Issue 7]
• Herendeen, Wyman H., University of Houston. "I launch at paradise and saile toward home": The Progresse of the Soule as Palinode. [Special Issue 7]
• Hill, Tracey, Bath Spa University College. "The Cittie is in an uproare": Staging London in The Booke of Sir Thomas More. [11.1]
• Hirsch, Brett D., University of Western Australia. An Italian Werewolf in London: Lycanthropy and The Duchess of Malfi. [11.2]
• Hodgson, M. A., University of British Columbia. Mourning Eve, Mourning Milton in Paradise Lost. [11.1]
• Holmes, Christopher, McGill University. Time for the Plebs in Julius Caesar. [7.2]
• Holmesland, Oddvar, Agder University College, Norway. Fighting the Kingdom of Faction in Bell in Campo. [Special Issue 14]
• Hope, Jonathan, and Michael Witmore, Strathclyde University and Carnegie Mellon University. The Very Large Textual Object: A Prosthetic Reading of Shakespeare. [9.3 / Special Issue 12]
• Hopkins, Lisa, Sheffield Hallam University. A Yorkshire Tragedy and Middleton's Tragic Aesthetic. [8.3 / Special Issue 11]
• Hopkins, Lisa, Sheffield Hallam University. "And shall I die, and this unconquered?": Marlowe's Inverted Colonialism. [2.2]
• Hopkins, Lisa, Sheffield Hallam University. Crime and Context in The Unnatural Tragedy. [Special Issue 14]
• Hopkins, Lisa, Sheffield Hallam University. Orlando and the Golden World: The Old World and the New in As You Like It. [8.2 / Special Issue 10]
• Howard, W. Scott, Denver University. Milton’s ‘Divorcive’ Liberties: Ecclesiastical, Domestic or Private, Civil and Cosmological [10.1]
• Mark Hutchings (University of Reading). "The 'Turk Phenomenon' and the Repertory of the Late Elizabethan Playhouse". [Special Issue 16]
• Jackson, J.A., Hillsdale College. "On forfeit of your selves, think nothing true": Self-Deception in Ben Jonson’s Epicoene. [10.1]
• Jackson, MacDonald P., University of Auckland. Is “Hand D” of Sir Thomas More Shakespeare’s? Thomas Bayes and the Elliott–Valenza Authorship Tests. [12.3]
• Jaeger, Kathleen Grant, University of King's College, Halifax. Martyrs or Malignants? Some Nineteenth-century Portrayals of Elizabethan Catholics. [Special Issue 7]
• Jenstad, Janelle Day, University of Windsor. "The City Cannot Hold You": Social Conversion in the Goldsmith's Shop. [8.2 / Special Issue 10]
• Johnson, Lee M., University of British Columbia. Renaissance Copresences in Romantic Verse. [Special Issue 7]
• Jones, Nicholas R., Oberlin College. Trevor Nunn's Twelfth Night: Contemporary Film and Classic British Theatre. [8.1]
• Claire Jowitt (Nottingham Trent University). "'Et in Arcadia Ego': The Politics of Pirates in the Old Arcadia, New Arcadia and Urania". [Special Issue 16]
• Kay, Dennis, University of North Carolina, Charlotte. Marlowe, Edward II, and the Cult of Elizabeth. [3.2]
• Kay, Magdalena, University of California, Berkeley. The Metaphysical Sonnets of John Donne and Mikolaj Sep Szarzynski: A Comparison. [9.2]
• Kelly, Erna, University of Wisconsin, Eau Claire. Playing with Religion: Convents, Cloisters, Martyrdom, and Vows. [Special Issue 14]
• Kelly, Philippa, University of New South Wales. Surpassing Glass: Shakespeare's Mirrors. [8.1]
• Klein, Bernhard, University of Dortmund.  Partial Views: Shakespeare and the Map of Ireland. [4.2 / Special Issue 3]
• Koch, Mark, St. Mary's College.  Ruling the World: The Cartographic Gaze in Elizabethan Accounts of the New World. [4.2 / Special Issue 3]
• Kuchar, Gary McMaster University. Narrative and the Forms of Desire in Shakespeare's Venus and Adonis. [5.2]
• Kevin Laam, Oakland University. ‘Lyke Chaucers boye’: Poetry and Penitence in Gascoigne’s Grief of Joye. [Special Issue 18]
• Lakowski, Romuald I., University of British Columbia. Utopia and the 'Pacific Rim': the Cartographical Evidence. [5.2]
• Lancashire, Anne, University of Toronto. What Do the Users Really Want? [3.3 / Special Issue 2]
• Lancashire, Ian, University of Toronto. The Common Reader's Shakespeare. [3.3 / Special Issue 2]
• Lancashire, Ian, University of Toronto, and Michael Best, University of Victoria. New Scholarship from Old Renaissance Dictionaries Applications of the Early Modern English Dictionaries Database. Editorial Preface. [Special Issue 1]
• Lancashire, Ian, University of Toronto. Understanding Shakespeare's Titus Andronicus and the EMEDD. [Special Issue 1]
• Landau, Aaron, Ben-Gurion University of the Negev. "I Live With Bread Like You": Forms of Inclusion in Richard II. [11.1]
• Leahy, Wililam, Brunel University. Propaganda or a Record of Events? Richard Mulcaster's The Passage Of Our Most Drad Soveraigne Lady Quene Elyzabeth Through The Citie Of London Westminster The Daye Before Her Coronacion. [9.1]
• Lehmann, Courtney, University of the Pacific, with Lisa S. Starks, University of South Florida. Making Mother Matter: Repression, Revision, and the Stakes of 'Reading Psychoanalysis Into' Kenneth Branagh's Hamlet. [6.1 / Special Issue 5]
• Leonidas, Eric, Central Connecticut State University. The School of the World: Trading on Wit in Middleton’s Trick to Catch the Old One. [12.3]
• Lewin, Jennifer, Yale University, and R.G. Siemens, Malaspina University College; Paul Dyck, University of Alberta; Jennifer Lewin, Yale University; and Joanne Woolway Grenfell, Oriel College, Oxford. The Janus-Face of Early Modern Literary Studies: Negotiating the Boundaries of Interactivity in an Electronic Journal for the Humanities.  [5.3 / Special Issue 4]
• Lucking, David, University of Lecce, Italy. "The price of one fair word": Negotiating Names in Coriolanus. [2.1]
• Luxon, Thomas H., Dartmouth College. A Second Daniel: The Jew and the "True Jew" in The Merchant of Venice. [4.3]
• MacInnes, Ian, Albion College. Cheerful Girls and Willing Boys: Old and young bodies in Shakespeare's Sonnets. [6.2]
• MacIntyre, Jean, University of Alberta. Production Resources at the Whitefriars Playhouse, 1609-1612. [2.3]
• Macintyre, Jean, University of Alberta. The (Self)-Fashioning of Ezekiel Edgworth in Jonson's Bartholomew Fair.  [4.3]
• Michael Lee Manous (University of California, Riverside). "'You serued God he set you free': Self, Nation, and Celebration in the Wager-Voyaging Adventure of Richard Ferris". [Special Issue 16]
• Martin, Matthew, University of Alberta."[B]egot between tirewomen and tailors": Commodified Self-Fashioning in Michaelmas Term. [5.1]
• Martin, Randall, University of New Brunswick. Isabella Whitney's " Lamentation upon the death of William Gruffith.". [3.1]
• Martz, Louis L., Yale University. Donne, Herbert, and the Worm of Controversy. [Special Issue 7]
• Marx, Stephen, Cal Poly University. Greenaway's Books. [7.2]
• Massai, Sonia, King's College London. Redefining the Role of the Editor for the Electronic Medium: A New Internet Shakespeare Edition of Edward III. [9.3 / Special Issue 12]
• The Golden Man and the Golden Age: The Relationship of English Poets and the New World Reconsidered. [1] David McInnis, University of Melbourne.
• McRae, Andrew, University of Sydney.  "On the Famous Voyage": Ben Jonson and Civic Space.[4.2 / Special Issue 3]
• Kirk Melnikoff (University of University of North Carolina at Charlotte). "'[I]ygging vaines' and 'riming mother wits': Marlowe, Clowns and the Early Frameworks of Dramatic Authorship". [Special Issue 16]
• Mendelson, Sarah H., McMaster University. Concocting the world's olio: Margaret Cavendish and continental influence. [Special Issue 14]
• Michel, J.Y., Université de Metz. Monuments in Late Elizabethan Literature: A Conservatory of Vanishing Traditions. [9.2]
• Mitsi, Efterpi, University of Athens. The ''popular philosopher'': Plato, Poetry, and Food in Tudor Aesthetics. [9.2]
• Morton, Peter, Flinders University. Novel Oxfords: Two fictive biographies presenting Edward de Vere as 'Shakespeare'. [5.2]
• Mosher, Joyce Devlin, Colorado Mountain College. Female Spectacle as Liberation in Margaret Cavendish's Plays. [11.1]
• O'Brien, Robert Viking, California State University, Chico. The Madness of Syracusan Antipholus. [2.1]
• Parkinson, David J., University of Saskatchewan. "The Legend of the Bischop of St. Androis Lyfe" and the Survival of Scottish Poetry. [9.1]
• Parry, Graham, University of York. The Devotional Flames of William Austin. [Special Issue 7]
• Jason Peacey (University College London). 'Hot and eager in courtship': representations of court life in the parliamentarian press, 1642-9. [Special Issue 15]
• Pebworth, Ted-Larry, University of Michigan-Dearborn. John Donne's "Lamentations" and Christopher Fetherstone's Lamentations . . . in prose and meeter (1587). [Special Issue 7]
• Peterson, Lesley, University of Alberta. Defects Redressed: Margaret Cavendish Aspires to Motley. [Special Issue 14]
• Piette, Adam, University of Glasgow. Performance, Subjectivity and Slander in Hamlet and Much Ado About Nothing. [7.2]
• Pittman, L. Monique, Andrews University. A Son Less Than Kind: Iconography, Interpolation,and Masculinity in Branagh’s Hamlet. [11.3]
• Plant, Sarah, Macquarie University. "Wise Handling and Faire Governance": Spenser's Female Educators. [7.3]
• Powers-Beck, Jeffrey, East Tennessee State University. 'Not Onely a Pastour, but a Lawyer also': George Herbert's Vision of Stuart Magistracy. [1.2]
• Price, Bronwen, Portsmouth University. Verse, Voice, and Body: The retirement mode and women's poetry 1680-1723. [12.3]
• Razovsky, Helaine, Northwestern State University. Popular Hermeneutics: Monstrous Children in English Renaissance Broadside Ballads. [2.3]
• Jennifer Rich, Hofstra University. The Merchant Formerly Known as Jew: Redefining the Rhetoric of Merchantry in Shakespeare’s Merchant of Venice. [13.3]
• Reichardt, Dosia, James Cook University, Cairns. Another Look at ‘Amyntor’s Grove’: Pastoral and Patronage in Lovelace’s Poem. [11.3]
• Rist, Thomas, University of Aberdeen. Religion, Politics, Revenge: The Dead in Renaissance Drama. [9.1]
• Roberts, Caroline, University of Toronto. The Politics of Persuasion: Measure for Measure and Cinthio's Hecatommithi. [7.3]
• Robson, Mark, University of Nottingham. Looking with ears, hearing with eyes: Shakespeare and the Ear of the Early Modern. [7.1/ Special Issue 8]
• Roebuck, Graham, McMaster University. "This innocent worke": Adam and Eve, John Smith, William Wood and the North American Plantations. [1.1]
• Rosenfeld, Nancy, University of Haifa. "That vain Animal": Rochester's Satyr and the Theriophilic Paradox. [9.2]
• Roth, Steve. Hamlet as The Christmas Prince: Certain Speculations on Hamlet, the Calendar, Revels, and Misrule. [7.3]
• Roth, Steve. Who Knows Who Knows Who’s There? An Epistemology of Hamlet (Or, What Happens in the Mousetrap). [10.2]
• Roth-Schwartz, Emma. "Colon and Semi-Colon in Donne's Prose Letters: Practice and Principle. [3.1]
• Sanders, Julie, Keele University. "Powdered with Golden Rain": The Myth of Danae in Early Modern Drama. [ 8.2 / Special Issue 10]
• Bradley D. Ryner, Arizona State University. Commodity Fetishism in Richard Brome’s A Mad Couple Well Matched and its Sources. [13.3]
• Linda Bradley Salamon, George Washington University. Gascoigne’s Globe: The Spoyle of Antwerpe and the Black Legend of Spain. [7]
• Julie Sanders (University of Nottingham) and Ann Hughes (Keele University). The Hague Courts of Elizabeth of Bohemia and Mary Stuart: Theatrical and Ceremonial Cultures. [Special Issue 15]
• Schneider, Ben Ross, Jr., Lawrence University. King Lear in its Own Time: The Difference that Death Makes. [1.1]
• Schille, Candy B. K., Georgia Southern University. "With Honour Quit the Fort": Ambivalent Colonialism in Dryden’s Amboyna. [4]
• Schütz, Chantal, Ecole Nationale de la Statistique et de l’Administration Economique, Paris (France). Music at the New Globe. [7.1/ Special Issue 8]
• Schwyzer,Philip, UC Berkeley.  A Map of Greater Cambria. [4.2 / Special Issue 4]
• Scott, Alison, Macquarie University. Marketing Luxury at the New Exchange: Jonson’s Entertainment at Britain’s Burse and the Rhetoric of Wonder. [12.2]
• Scott, Gray, University of California, Riverside.Signifying Nothing? A Secondary Analysis of the Claremont Authorship Debates. [12.2]
• Searle, Alison, Queen Mary, University of London‘My Souls Anatomiste’: Richard Baxter, Katherine Gell and Letters of the Heart. [12.2]
• Shawcross, John T., University of Kentucky. "The Virtue and Discipline" of Wrestling with God [Henry Vaughan and Lord Herbert of Cherbury].[Special Issue 7]
• Linda Shenk (Iowa State University) "'To Love and Be Wise': the Earl of Essex, Humanist Court Culture, and England's Learned Queen". [Special Issue 16]
• Shore, David R., University of Ottawa, and R.G. Siemens, Malaspina University College. Renaissance Literary Studies and Humanities Computing: Introduction. [5.3 / Special Issue 4]
• Siegfried, B.R., Brigham Young University. An Apology for Knowledge: Gender and the Hermeneutics of Incarnation in the Works of Aemilia Lanyer and Sor Juana Inés de la Cruz [6.3 / Special Issue 6]
• Siegfried, B.R., Brigham Young University. The City of Chance, or, Margaret Cavendish's Theory of Radical Symmetry. [Special Issue 14]
• Siemens, R.G., University of Alberta. Disparate Structures, Electronic and Otherwise: Conceptions of Textual Organisation in the Electronic Medium, with Reference to Electronic Editions of Shakespeare and the Internet. [3.3 / Special Issue 2]
• Siemens, R.G., Malaspina University College. "I have often such a sickly inclination": Biography and the Critical Interpretation of Donne's Suicide Tract, Biathanatos. [Special Issue 7]
• Siemens, R.G., Malaspina University College, and David R. Shore, University of Ottawa. Renaissance Literary Studies and Humanities Computing: Introduction. [5.3 / Special Issue 4]
• Siemens, R.G., Malaspina University College, and Paul Dyck, University of Alberta; Jennifer Lewin, Yale University; and Joanne Woolway Grenfell, Oriel College, Oxford. The Janus-Face of Early Modern Literary Studies: Negotiating the Boundaries of Interactivity in an Electronic Journal for the Humanities.  [5.3 / Special Issue 4]
• Simpson, Ken, University College of the Cariboo. The Rituals of Presence in Paradise Regained. [Special Issue 7]
• Sloan, LaRue Love, University of Louisiana at Monroe. "Caparisoned like the horse": Tongue and Tail in Shakespeare’s The Taming of the Shrew. [10.2]
• Smith, Bruce R., Georgetown University. Hearing Green: Logomarginality in Hamlet.[7.1/ Special Issue 8]
• Smith, Emily, Emory University. Genre’s “Phantastical Garb”: The Fashion of Form in Margaret Cavendish’s Natures Pictures Drawn by Fancies Pencil to the Life. [11.3]
• Geoffrey Smith (University of Melbourne). 'Long, dangerous and expensive journeys': the grooms of the bedchamber at Charles II's court in exile. [Special Issue 15]
• Edith Snook (University of New Brunswick). 'Soveraigne Receipts' and the Politics of Beauty in the The Queens Closet Opened. [Special Issue 15]
• Sohmer, Steve, Lincoln College, Oxford. 12 June 1599: Opening Day at Shakespeare's Globe. [3.1]
• Sohmer, Steve, Lincoln College, Oxford. Certain Speculations on Hamlet, the Calendar, and Martin Luther. [2.1]
• Sohmer, Steve, Lincoln College, Oxford. The Lunar Calendar of Shakespeare's King Lear. [5.2]
• Spiller, Ben, University of Warwick. "Today, Vindici Returns": Alex Cox's Revengers Tragedy. [ 8.3 / Special Issue 11]
• Spradlin, Derrick, Auburn University. Imperial Anxiety in Thomas Hughes’s The Misfortunes of Arthur. [10.3]
• Stanwood, Paul G., University of British Columbia. Lives of Devotion: The Correspondence of Isaac Basire and Frances Corbett: 1635-1660. [5.1]
• Starks, Lisa S., University of South Florida, with Courtney Lehmann, University of the Pacific. Making Mother Matter: Repression, Revision, and the Stakes of 'Reading Psychoanalysis Into' Kenneth Branagh's Hamlet.[6.1 / Special Issue 5]
• Steggle, Matthew, Sheffield Hallam University. Paradise Lost and the Acoustics of Hell. [ 7.1/ Special Issue 8]
• Steggle, Matthew, Sheffield Hallam University.The text and attribution of "Thou who dost all my thoughts employ": a new Moulsworth poem? [6.3 / Special Issue 6 ]
• Sullivan, Garrett, Pennsylvania State University.  Civilizing Wales: Cymbeline, Roads and the Landscapes of Early Modern Britain. [4.2 / Special Issue 3]
• Summers, Claude J., University of Michigan-Dearborn. W[illiam] S[hakespeare]'s A Funeral Elegy and the Donnean Moment. [Special Issue 7]
• Tancke, Ulrike, Trier University. (M)others and selves: Identity formation and/in relationship in early modern women’s self-writings. [10.3]
• Tashma-Baum, Miri, Tel-Aviv University. A Shroud for the Mind: Ralegh's Poetic Rewriting of the Self. [10.1]
• Tate, Joseph, University of Washington. Numme Feete: Meter in Early Modern England. [7.1/ Special Issue 8]
• van den Berg, Sara, University of Washington, Seattle. Marking his Place: Ben Jonson's Punctuation. [1.3]
• van den Berg, Sara, Saint Louis University. Women, Children, and the Rhetoric of Milton’s Divorce Tracts. [10.1]
• Vickers, Brian. Approaching Shakespeare's Late Style. [13.3]
• Vinovich, J. Michael, University of Toronto. Protocols of Reading: Milton and Biography. [1.3]
• Voekel, Swen, Rochester University.  Upon the Suddaine View": State, Civil Society and Surveillance in Early Modern England. [4.2 / Special Issue 3]
• Walker, William, University of New South Wales. Human Nature in Republican Tradition and Paradise Lost. [10.1]
• Wallraven, Miriam, Tübingen University. "My Spirits long to wander in the Air...": Spirits and Souls in Margaret Cavendish's Fiction between Early Modern Philosophy and Cyber Theory. [Special Issue 14]
• Walters, Lisa, The University of Edinburgh. Gender Subversion in the Science of Margaret Cavendish. [Special Issue 14]
• Allyna E. Ward, University of Newcastle upon Tyne. ‘If the head be evill the body cannot be good’: Legitimate Rebellion in Gascoigne and Kinwelmershe’s Jocasta. [Special Issue 18]
• Ward, Ian, University of Dundee. Shakespeare and the Politics of Community. [4.3]
• Warren, Jonathan, University of Toronto. Reflections of an Electronic Scribe: Two Renaissance Dictionaries and Their Implicit Philosophies of Language. [Special Issue 1]
• Weiss, Susan Forscher, and Ichiro Fujinaga, The Peabody Conservatory. A Study of Early Music on CD-ROM.  [5.3 / Special Issue 4]
• Werstine, Paul, University of Western Ontario. Hypertext and Editorial Myth. [3.3 / Special Issue 2]
• Whalen, Robert, University of Toronto. "How shall I measure out thy bloud?", or, "Weening is not measure": TACT, Herbert, and Sacramental Devotion in the Electronic Temple.  [5.3 / Special Issue 4]
• Williams, Andrew P., North Carolina Central University. Shifting Signs: Increase Mather and the Comets of 1680 and 1682. [1.3]
• Williams, Andrew P., North Carolina Central University. The Centre of Attention: Theatricality and the Restoration Fop. [4.3]
• Winson, Patricia, University of Toronto. "A Double Spirit of Teaching": What Shakespeare's Teachers Teach Us. [Special Issue 1]
• Richard Wood (Sheffield Hallam University). "'The representing of so strange a power in love': Philip Sidney's Legacy of Anti-factionalism". [Special Issue 16]
• Woodbridge, Linda, Pennsylvania State University. Impostors, Monsters, and Spies: What Rogue Literature Can Tell us about Early Modern Subjectivity. [Special Issue 9]
• Yachnin, Paul, University of British Columbia. Personations: The Taming of the Shrew and the Limits of Theoretical Criticism. [2.1]
• Yim, Sung-Kyun, Sookmyung Women's University. "Thy temperance invincible": Humanism in Book II of The Faerie Queene and Paradise Regained. [9.1]
• Matthew Zarnowiecki, Auburn University. ‘Nedelesse Singularitie’: George Gascoigne’s Strategies for Preserving Lyric Delight. [Special Issue 18]

Bibliography

• Díaz-Fernández, José Ramón, University of Málaga. Shakespeare on Television: A Bibliography of Criticism. [6.1 / Special Issue 5]
• Grenfell, Joanne Woolway, Oxford University. A Bibliography of Secondary Texts Relating to Early Modern Literature and Geography. [4.2 / Special Issue 3]
• Lakowski, Romuald Ian. A Bibliography of Thomas More's Utopia. [1.2]
• Sanford, Rhonda Lemke.  Early Modern Cartographic Resources on the World Wide Web. [4.2 / Special Issue 3]
• Siemens, R.G. Paul Grant Stanwood: Publications [Special Issue 7]
• Wagner, Geraldine, College of the Holy Cross. Romancing Multiplicity: Female Subjectivity and the Body Divisible in Margaret Cavendish's Blazing World. [9.1]
• Ziegler, Georgianna, Folger Shakespeare Library. Women Writers Online: An Evaluation and Annotated Bibliography of Web Resources. [6.3 / Special Issue 6]

Notes (Alphabetical, by Author)

• Brown, Eric C., Harvard University. Ovid's Rivers and the Naming of Milton's Lycidas.[7.2]
• Egan, Gabriel, De Montfort University. Revision of scene 4 of Sir Thomas More as a test of New Bibliographical principles. [6.2]
• Egan, Globe Education (Shakespeare's Globe) and King's College, London. Idealist and Materialist Interpretations of BL Harley 7368, the Sir Thoms More Manuscript. [7.2]
• Flannagan, Roy, Ohio University. Reflections on Milton and Ariosto. [2.3]
• Gilbert, Anthony, Lancaster University. "Unaccommodated man" and his discontents in King Lear: Edmund the Bastard and interrogative puns. [6.2]
• Hale, John K., University of Otago, NZ. Milton and the Sexy Seals: A Peephole into the Horton Years. [1.3]
• Fitzpatrick, Joan, Shakespeare Institute, Stratford upon Avon. "Corrupt with goodly meede": Munera and Medusa in Book 5 of Spenser's The Faerie Queene.  [1.3]
• Kahan, Jeffrey. Ambroise Paré's Des Monstres as a Possible Source for Caliban. [3.1]
• Kahan, Jeffrey. Reassessing the Use of Doubling in Marston's Antonio and Mellida. [2.2]
• MacIntyre, Jean, University of Alberta. Additional to "Production Resources at the Whitefriars Playhouse, 1609-1612" (EMLS 2.3 [December, 1996]: 2.1-35). [3.3]
• Moon, Paul, Auckland Institute of Technology, NZ. Blending Popular Culture and Religious Instruction: Herbert's Outlandish Proverbs. [2.1]
• Rasmussen, Eric, University of Nevada, Reno. Gilded monuments and living records: A note on critical editions in print and online.[9.3 / Special Issue 12]
• Richman, Gerald, Suffolk University. A Third Choice: Adam, Eve, and Abdiel. [9.2]
• Sohmer, Steve, Center for Medieval and Renaissance Studies, UCLA. A note on Hamlet's illegitimacy identifying a source of the "dram of eale" speech (Q2 1.4.17-38). [6.3/Special Issue 6]
• Stanwood, P.G., University of British Columbia. Affliction and Flight in Herbert's Poetry: A Note. [1.2]

Professional Notes (Alphabetical, by Author)

• Burke, Victoria, and Elizabeth Clarke, Nottingham Trent University. The Perdita Project: A Database for Early Modern Women's Manuscript Compilations. [3.2]
• Clarke, Elizabeth, and Victoria Burke, Nottingham Trent University. The Perdita Project: A Database for Early Modern Women's Manuscript Compilations. [3.2]
• May, Steven W., Georgetown College. The Bibliography and First-Line Index of English Verse, 1559-1603. [1.2]
• Albert Rolls, Touro College. An electronic edition of the Calendar  of State Papers (Domestic Series) of The Reign of Elizabeth, 1581–1590, 1591–1594, 1601–1603, with Addenda 1547–1565. [13.3]
• Seal, Jill, Nottingham Trent University. The Perdita Project--A Winter's Report. [6.3/Special Issue 6]
• Smyth, Adam, University of Reading. An Online Index of Poetry in Printed Miscellanies, 1640-1682. [8.1]
• Tolva, John, Washington University. The Shepheardes Calender Hypermedia Edition. [1.2]
• Waite, Greg (Editor in Chief), University of Otago. A Textbase of Early Tudor English. [1.1]
• Wheeler, Michael, Chawton House Library. Chawton House Library: Transforming the Literary Landscape. [6.3/Special Issue 6]

 

Interviews (Alphabetical, by Interviewee)

• Germaine Greer. Interviewed by Joan Fitzpatrick, University College Northampton. [6.3/Special Issue 6]
• Russell Jackson. Interviewed by Darren Kerr, De Montfort University, September 1999. [6.1 / Special Issue 5]
• Kenneth Rothwell. Interviewed by Darren Kerr, De Montfort University, September 1999. [6.1 / Special Issue 5]

 

Reviews (Alphabetical, by Book Author)

• Adams, Alison, Stephen Rawles, and Alison Saunders. A Bibliography of French Emblem Books of the Sixteenth and Seventeenth Centuries. Travaux d'Humanisme et Renaissance. Vol. CCCXXXI. Geneva: Droz, 1999. David Graham, Memorial University of Newfoundland, St. John's. [7.2]
• Aggeler, Geoffrey. "Nobler in the Mind": The Stoic-Skeptic Dialectic in English Renaissance Tragedy. Newark and London: U of Delaware P, 1998. Yvonne Bruce, The Citadel. [6.1 / Special Issue 5]
• Alfar, Cristina Leon.. Fantasies of Female Evil: The Dynamics of Gender and Power in Shakespearean Tragedy. London: Associated University Presses, 2003. Rebecca Nesvet, University of Gloucestershire. [11.3]
• Allman, Eileen. Jacobean Revenge Tragedy and the Politics of Virtue. Newark: U of Delaware P, 1999. Ayanna Thompson, Harvard University. [7.1/ Special Issue 8]
• Alwes, Derek B. Sons and Authors in Elizabethan England. Newark: U of Delaware P, 2004. Steve Mentz, St. John’s University. [10.3]
• Amussen, Susan D., and Adele Seeff, eds. Attending to Early Modern Women. Newark: U of Delaware P; London: Associated UP, 1998. Suzanne Trill, The University of Edinburgh. [8.2 / Special Issue 10]
• Andersen, Jennifer, and Elizabeth Sauer, eds. Books and Readers in Early Modern England: Material Studies. Philadelphia: U of Pennsylvania P, 2002. Jason Scott-Warren, University of York. [8.3 / Special Issue 11]
• Archer, John. Citizen Shakespeare: Freemen and Aliens in the Language of the Plays. Early Modern Cultural Studies, 1500 - 1700. Basingstoke: Palgrave, 2005. Kevin Curran, McGill University.
• Arden. The Arden Shakespeare CD-ROM: Texts and Sources for Shakespeare Study. Jonathan Bate, consultant ed. Version 1.0. Walton-on-Thames: Thomas Nelson [Arden Shakespeare], 1997.  R.G. Siemens, University of Alberta. [4.2 / Special Issue 3]
• David Armitage, ed. British Political Thought in History, Literature and Theory, 1500-1800. Cambridge and New York: Cambridge UP, 2006. [13.3] Charles W. A. Prior, Queen's University.
• Oliver Arnold. The Third Citizen: Shakespeare's Theater and the Early Modern House of Commons. Baltimore: The John Hopkins UP, 2007. [13.3] Alison Searle, University of Sydney.
• Aston, Margaret. The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait. Cambridge: Cambridge UP, 1993. Andrew Stott, University of Hertfordshire. [2.2]
• Aughterson, Kate, ed. Renaissance Women: Constructions of Femininity in England. New York: Routledge, 1995. Carrie Hintz, University of Toronto. [2.2]
• Aughterson, Kate, ed. The English Renaissance: An Anthology of Sources and Documents. London and New Uork: Routledge, 1998. Emma Smith, Hertford College, Oxford. [5.2]
• Bannerjee, Pompa. Burning Women: Widows, Witches, and Early Modern European Travelers in India. New York: Palgrave Macmillan, 2003. M. G. Aune,  North Dakota State University.[10.1]
• Barroll, Leeds. Anna of Denmark, Queen of England: A Cultural Biography. Philadelphia: U of Pennsylvania P, 2001. Bernadette Andrea, University of Texas, San Antonio. [8.2 / Special Issue 10]
• Bate, Johnathan, consultant ed. The Arden Shakespeare CD-ROM: Texts and Sources for Shakespeare Study. Jonathan Bate, consultant ed. Version 1.0. Walton-on-Thames: Thomas Nelson [Arden Shakespeare], 1997.  R.G. Siemens, University of Alberta. [4.2 / Special Issue 3]
• Bath, Michael. Speaking Pictures: English Emblem Books and Renaissance Culture. London and New York: Longman, 1994. William Barker, Memorial University of Newfoundland. [5.1]
• Battigelli, Anna. Margaret Cavendish and the Exiles of the Mind. Lexington, Kentucky: UP of Kentucky, 1998. Carrie Hintz, Queens College/CUNY. [6.3 / Special Issue 6]
• Baumann, Uwe, ed. Henry VIII in History, Historiography and Literature. Bern: Peter Lang, 1992. (With Guy, John, ed. The Reign of Elizabeth I: Court and Culture in the Last Decade. Cambridge: Cambridge UP, 1995.) Steven Gunn, Merton College, Oxford. [2.1]
• Baker, David J. Between Nations: Shakespeare, Spenser, Marvell, and the Question of Britain. Stanford: Stanford UP, 1997. Andrew Murphy, University of St Andrews. [6.2]
• Beal, Peter. In Praise of Scribes: Manuscripts and their Makers in Seventeenth Century England. Oxford: Clarendon P, 1998. Roy Flannagan, Ohio University. [5.1]
• Beal, Peter, and Jeremy Griffiths, eds. English Manuscript Studies 1100-1700. London: The British Library, 1997. Jerome de Groot, University of Newcastle-upon-Tyne. [4.3]
• Bednarz, James. Shakespeare & the Poets' War. New York: Columbia UP, 2001. Matthew Steggle, Sheffield Hallam University. [7.3]
• Beer, Anna R. Sir Walter Ralegh and his Readers in the Seventeenth Century: Speaking to the People. Basingstoke: Macmillan, 1997. Scott Nixon, The Queen's College, Oxford. [4.3]
• Bellamy, Alastair. The Politics of Court Scandal in Early Modern England: News Culture and the Overbury Affair, 1603-1660. Cambridge: Cambridge UP, 2002. [16] Curtis Perry, Arizona State University [8.2 / Special Issue 10]
• Bennett, Susan. Performing Nostalgia: Shifting Shakespeare and the Contemporary Past. New York: Routledge, 1996.Robert Grant Williams, Nipissing University. [2.3]
• Bergeron, David M. King James and Letters of Homoerotic Desire. Iowa City: University of Iowa P, 1999. Curtis Perry, Arizona State University.[6.1 / Special Issue 5]
• Bergeron, David M. English Civic Pageantry, 1558-1642. Revised Edition. Tempe, AZ: Medieval and Renaissance Texts and Studies, 2003. Kevin Curran, University College, Dublin. [10.2]
• Berley, Marc. After the Heavenly Song: English Poetry and the Aspiration to Song. Pittsburgh: Duquesne UP, 2000. Hannibal Hamlin, The Ohio State University, Mansfield. [7.2]
• Bevington, David, and Peter Holbrook, eds. The Politics of the Stuart Court Masque. Cambridge: Cambridge UP, 1998. Scott Nixon, The Queen's College, Oxford. [5.3 / Special Issue 4]
• Biester, James. Lyric Wonder: Rhetoric and Wit in Renaissance English Poetry.   Scott Nixon, The Queen’s College, Oxford. [4.2 / Special Issue 3]
• Blank, Paula. Broken English: Dialects and the Politics of Language in Renaissance Writings. London: Routledge, 1996. Swen Voekel, University of Rochester, Rochester, NY. [4.1]
• Bly, Mary. Queer Virgins and Virgin Queans on the Early Modern Stage. Oxford: Oxford UP, 2000. [15] Jim Daems, Simon Fraser University. [8.2 / Special Issue 10]
• Bolzoni, Lina. The Gallery of Memory: Literary and Iconographic Models in the Age of the Printing Press. Trans. Jeremy Parzen. Toronto: U of Toronto P, 2001. Peter Kanelos, University of San Diego. [11.3]
• Boose, Lynda E., and Richard Burt, eds. Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video. London and New York: Routledge, 1997. Mark Thornton Burnett, The Queen's University of Belfast. [3.3]
• Borris, Kenneth. Allegory and Epic in English Renaissance Literature: Heroic Form in Sidney, Spenser, and Milton. Cambridge: Cambridge UP, 2000. Mary R. Bowman, University of Wisconsin - Stevens Point. [7.2]
• Sylvia Bowerbank. Speaking for Nature: Women and Ecologies of Early Modern England. Baltimore and London: The Johns Hopkins UP, 2004. [5] Valerija Vendramin, Educational Research Institute, Ljubljana, Slovenia.
• Breight, Curtis C. Surveillance, Militarism and Drama in the Elizabethan Era. New York: St. Martin’s P, 1996. Chris Fitter, Rutgers University-Camden. [4.1]
• Breitenberg, Mark. Anxious Masculinity in Early Modern England. Cambridge: Cambridge UP, 1995. Stephen Longstaffe, University College of St Martin. [3.1]
• Brink, Jean R., and William F. Gentrup, eds. Renaissance Culture in Context: Theory and Practice. Aldershot: Scolar P; Brookfield, Vt: Ashgate Publishing Company, 1993. A.W. Johnson, åbo Akademi University, Finland. [2.1]
• Brooks, Douglas A., ed. Printing and Parenting in Early Modern England. Aldershot: Ashgate, 2005. Alison Searle, Queen Mary, University of London. [12.2]
• Brown, Cedric, and Arthur C. Marotti, eds. Texts and Cultural Change in Early Modern England. Basingstoke: Macmillan, 1997. Andrew McRae, University of Sydney. [4.3]
• Bryson, Michael. The Tyranny of Heaven: Milton’s Rejection of God as King. Newark: U of Delaware P; London: Associated University Presses, 2004. Peter C. Herman, San Diego State University. [10.1]
• Budick, Sanford, the Hebrew University of Jerusalem. Milton's Joban Phoenix in Samson Agonistes. [11.2]
• Budra, Paul. A Mirror for Magistrates and the de casibus Tradition. Toronto, Buffalo, London: U of Toronto P, 2000. Dermot Cavanagh, University of Northumbria.[7.2]
• Burgess, Glenn, et al., eds. The Accession of James I: Historical and Cultural Consequences. Eds. Glenn Burgess, Rowland Wymer, and Jason Lawrence. Houndmills: Palgrave, 2006. [13.3] Christopher Ivic SUNY, Potsdam.
• Kenneth Burke. Kenneth Burke on Shakespeare. Ed. Scott L. Newstok. West Lafayette, Indiana: Parlor, 2007. Douglas Bruster, The University of Texas at Austin. [14.1]
• Burke, Victoria E., and Jonathan Gibson, eds. Early Modern Women’s Manuscript Writing. Selected Papers from the Trinity/Trent Colloquium. Aldershot: Ashgate, 2004. David Colclough, Queen Mary, University of London. [11.1]
• Burnett, Mark Thornton. Masters and Servants in English Renaissance Culture: Authority and Obedience. Basingstoke and New York: Macmillan and St Martin's P, 1997. Julie H. Kim, Northeastern Illinois University. [5.1]
• Burt, Richard. Unspeakable Shaxxxspeares: Kiddie Culture, Queer Theory, and Loser Criticism. New York: St. Martin's P, 1998. Indira Ghose, Free University of Berlin. [6.2]
• Bushnell, Rebecca W. A Culture of Teaching: Early Modern Humanism in Theory and Practice. Ithaca: Cornell UP, 1996. Charles David Jago, University of British Columbia. [2.3]
• Philip Butterworth. Magic on the Early English Stage. Cambridge: Cambridge UP, 2005. [13.3] Andrew D. McCarthy, Washington State University.
• Cable, Lana. Carnal Rhetoric: Milton's Iconoclasm and the Poetics of Desire. Durham, NC: Duke UP, 1995.  Jim Daems, University of Wales, Bangor. [4.2 / Special Issue 3]
• Cain, Tom, ed. The Poetry of Mildmay Fane, Second Earl of Westmorland: from the Fulbeck, Harvard and Westmorland Manuscripts. Manchester: Manchester UP, 2001. Andrew McRae, University of Exeter. [9.1]
• Canny, Nicholas. Making Ireland British, 1580-1650. Oxford: Oxford UP, 2001. Joan Fitzpatrick, University College Northampton. [9.1]
• Carpenter, Andrew, ed. Verse in English from Tudor and Stuart Ireland. Cork: Cork UP, 2003. Felicity Henderson, Cambridge University. [10.3]
• Carroll, William S. Fat King, Lean Beggar: Representations of Poverty in the Age of Shakespeare. Ithaca: Cornell UP, 1996. Michael Long, Oriel College, Oxford University. [3.1]
• Carson, Christie, and Jacky Bratton, eds. The Cambridge King Lear CD-ROM: Text and Performance Archive. Michael Best, University of Victoria. [9.1]
• Cary, Elizabeth. The Tragedy of Mariam. Ed. Stephanie J. Wright. Staffordshire: Keele UP, 1996. Carrie Hintz, University of Toronto. [3.2]
• Castillo, susan, and Ivy Schweitzer, eds. The Literatures of Colonial America: An Anthology. Malden, MA and Oxford: Blackwell, 2001. Jess Edwards, Manchester Metropolitan University. [11.1]
• Cave, Richard, Elizabeth Schafer, and Brian Woolland, eds. Ben Jonson and Theatre: Performance, Practice, and Theory. London: Routledge, 1999. Matthew Steggle, Sheffield Hallam University. [5.1]
• Cavendish, Margaret. Sociable Letters. Ed. James Fitzmaurice. New York: Garland, 1997, and Margaret Cavendish. The Convent of Pleasure and Other Plays. Ed. Anne Shaver. Baltimore: Johns Hopkins UP, 1999. Bernadette Andrea, University of Texas at San Antonio. [6.2]
• Cerasano, S. P. and Wynne-Davies, Marion, eds. Renaissance Drama by Women: Texts and Documents. New York: Routledge, 1996. Patricia Ralston, Covenant College. [3.1]
• Cereta, Laura. Collected Letters of a Renaissance Feminist. Ed. Diane Robin. Chicago: U of Chicago P, 1997. Carrie Hintz, University of Toronto. [4.3]
• Chadwyck-Healey. English Verse Drama: The Full-Text Database. Cambridge: Chadwyck-Healey, 1995. David L. Gants, University of Virginia. [2.1]
• Chalmers, Hero. Royalist Women Writers 1650-1689. Oxford: Oxford UP, 2004. [7] Lisa Walters, University of Edinburgh [12.1].
• Cheney, Patrick. Marlowe's Counterfeit Profession: Ovid, Spenser, Counter-Nationhood. Toronto: U of Toronto P, 1997. Lisa Hopkins, Sheffield Hallam University. [5.1]
• Chernaik, Warren. Sexual Freedom In Restoration Literature. Cambridge: Cambridge UP, 1995. Andrew P. Williams, North Carolina Central University. [3.2]
• Clegg, Cyndia Susan. Press Censorship in Jacobean England. Cambridge: Cambridge UP, 2001. Michael Ullyot, University of Toronto. [08-1]
• Colclough, David. Freedom of Speech in Early Stuart England. Cambridge: Cambridge UP, 2005. Cyndia Susan Clegg, Pepperdine University. [11.3]
• Combe, Kirk. A Martyr for Sin: Rochester's Critique of Polity, Sexuality, and Society. Cranbury, N.J., London, and Mississauga, ON: Associated UP, 1998. Jim Daems, University of Wales, Bangor [4.3]
• Comensoli, Viviana. "Household Business": Domestic Plays of Early Modern England. Toronto: U of Toronto P, 1996. Julie Sanders, Keele University. [4.2 / Special Issue 3]
• Comensoli, Viviana, and Paul Stevens, eds., Discontinuities: New Essays on Renaissance Literature and Criticism. Toronto and Buffalo: U of Toronto P, 1998. Christopher Ivic, Queen's University, Canada / SUNY Potsdam. [5.2]
• Cook, Patrick J. Milton, Spenser and the Epic Tradition. Aldershot: Scolar P, 1996.  (With Erickson, Wayne. Mapping the Faerie Queene. New York: Garland, 1996.) John S. Pendergast, Virginia Commonwealth Univeristy. [4.2 / Special Issue 3]
• Corbin, Peter, and Douglas Sedge, eds. Thomas of Woodstock or Richard the Second, Part One. Manchester and New York: Manchester UP, 2002. Michael Egan.[9.2]
• Cormack, Bradin, and Carla Mazzio. Book Use, Book Theory: 1500-1700. Chicago: U of Chicago Library, 2005. [9] Katrin Ettenhuber Christ's College, Cambridge.
• Corthell, Ronald. Ideology and Desire in Renaissance Poetry: The Subject of Donne. Detroit: Wayne State UP, 1997. Gary Kuchar, McMaster University. [6.1 / Special Issue 5]
• Coursen, H. R. Shakespeare in Space: Recent Shakespeare Productions on Screen. New York: Peter Lang, 2002. Sujata Iyengar, University of Georgia. [11.1]
• Curran, John E. Jr. Roman Invasions: The British History, Protestant Anti-Romanism, and the Historical Imagination in England, 1530-1660. Newark: U of Delaware P, 2002. Lisa Hopkins, Sheffield Hallam University. [10.2]
• Curzon, Gerald. Wotton and His Worlds: Spying, Science, and Venetian Intrigues. Matthew Steggle, Sheffield Hallam University. [10.3]
• Daniell, David. William Tyndale: A Biography. New Haven: Yale UP, 1994. Romuald I. Lakowski. [1.3]
• Davies, Stevie. Henry Vaughan. Wales: Seren, Poetry Wales Press, 1995. Jeffrey Powers-Beck, East Tennessee State University. [1.2]
• de Foigny, Gabriel. The Southern Land, Known. Trans. and ed. David Fausett. Syracuse, New York: Syracuse UP, 1993. (With Fausett, David. Writing the New World: Imaginary Voyages and Utopias of the Great Southern Land. Syracuse, New York: Syracuse UP, 1993.) James R. Burns, Oriel College, Oxford. [2.2]
• Deats, Sara Munson. Sex, Gender, and Desire in the Plays of Christopher Marlowe. London: Associated UP, 1997.   Clare Harraway, University of Oxford, Exeter College. [4.2 / Special Issue 3]
• Dessen, Alan C. Recovering Shakespeare's Theatrical Vocabulary. Cambridge: Cambridge UP, 1995. W.L. Godshalk, University of Cincinnati. [1.3]
• Diehl, Hutson. Staging Reform, Reforming the Stage: Protestantism and Popular Theater in Early Modern England. Ithaca: Cornell UP, 1997. Ken Jackson, University of Connecticut. [4.2 / Special Issue 3]
• Dillon, Janette. Theatre, Court and City, 1595-1610: Drama and Social Space in London. Cambridge: Cambridge UP, 2000. Charles Cathcart. [6.2]
• Dobranski, Stephen B. and John P. Rumrich, eds. Milton and Heresy. Cambridge: Cambridge UP, 1998. William Walker, University of New South Wales. [7.1/ Special Issue 8]
• Stephen B. Dobranski. Readers and Authorship in Early Modern England. Cambridge: Cambridge UP, 2005. Katrin Ettenhuber Christ's College, Cambridge. [12.2]
• Donne, John. Pseudo-Martyr. Ed. Anthony Raspa. Montreal: McGill-Queen's UP, 1993. (With Flynn, Dennis. John Donne and the Ancient Catholic Nobility. Bloomington: Indiana UP, 1995.) Elizabeth Hodgson, University of British Columbia. [2.1]
• Donne, John. The Variorum Edition of the Poetry of John Donne, Volume 6: The Anniversaries and the Epicedes and Obsequies. Gen. Ed. Gary A. Stringer. Bloomington: Indiana UP, 1995. Claude J. Summers, University of Michigan, Dearborn. [1.3]
• Donne, John. The Variorum Edition of the Poetry of John Donne, Volume 8: The Epigrams, Epithalamions, Epitaphs, Inscriptions, and Miscellaneous Poems. Gary A. Stringer, General Editor. Ted-Larry Pebworth, Gary A. Stringer, and Ernest W. Sullivan, II, Text Editors. William A. McClung, Volume Commentary. Jeffrey Johnson, Contributing Editor. Bloomington: Indiana UP, 1996. Elizabeth Hodgson, University of British Columbia. [3.3]
• Dubinski, Roman R. English Religious Poetry Printed 1477-1640: A Chronological Bibliography with Indexes. Waterloo, ON: North Waterloo Academic P, 1996. Paul G. Stanwood, University of British Columbia. [5.1]
• Dunnigan, Sarah, C. Marie Harker and Evelyn S. Newlyn, eds. Woman and the Feminine in Medieval and Early Modern Scottish Writing. Basingstoke: Palgrave Macmillan, 2004. Jon Robinson, University of Northumbria. [12.1]
• Dutton, Richard, Alison Findlay and Richard Wilson, eds.  Region, Religion and Patronage: Lancastrian Shakespeare. Manchester: Manchester UP, 2003. Julie Sanders, University of Nottingham. [10.3]
• Dutton, Richard and Jean E. Howard, eds. A Companion to Shakespeare's Works, Volume III: The Comedies. Oxford: Blackwell, 2003. Todd Lidh, Flagler College. [11.2]
• Edwards, Philip. Sea-Mark: The Metaphorical Voyage, Spenser to Milton. Liverpool: Liverpool UP, 1997. Jim Daems, Simon Fraser University. [3.3]
• Eggert, Katherine. Showing Like a Queen: Female Authority and Literary Experiment in Spenser, Shakespeare, and Milton. Philadelphia: U of Pennsylvania P, 2000. Robert Grant Williams, Nipissing University.[7.3]
• Electronic Texts, File Formats, and Copyright: The Christian Classics Ethereal Library. Perry Willett, Indiana University. [1.2]
• Elizabeth I, Elizabeth I: Collected Works ed. Leah S. Marcus, Janel Mueller, and Mary Beth Rose. Douglas Bruster, University of Texas at Austin.[6.3/ Special Issue 6]
• Ellison, James. George Sandys: Travel, Colonialism and Tolerance in the Seventeenth Century. Cambridge: D. S. Brewer, 2002. Bernadette Andrea, University of Texas at San Antonio. Ellison, James. [9.3 / Special Issue 12]
• English Short Title Catalogue, 1473-1800. CD-ROM. 3rd ed. 2003. E. Thomson Shields, Jr., East Carolina University. [10.3]
• Enterline, Lynn. The Rhetoric of the Body: From Ovid To Shakespeare. Cambridge: Cambridge UP, 2000. Gary Kuchar, McMaster University. [7.3]
• Erickson, Wayne. Mapping the Faerie Queene. New York: Garland, 1996 (With Patrick J.Cook,.Milton, Spenser and the Epic Tradition. Aldershot: Scolar P, 1996).John S. Pendergast, Virginia Commonwealth Univeristy. [4.2 / Special Issue 3]
• Erne, Lukas. Beyond The Spanish Tragedy: A Study of the Works of Thomas Kyd. Manchester: Manchester UP, 2001. Frank Ardolino, University of Hawaii. [8.2 / Special Issue 10]
• Erne, Lukas. Shakespeare as Literary Dramatist. Cambridge: Cambridge UP, 2003. Steve Roth. [9.3 / Special Issue 12]
• Estrin, Barbara L. Laura: Uncovering Gender and Genre in Wyatt, Donne, and Marvell. Durham, NC: Duke UP, 1994. Nathan P. Tinker, Fordham University. [2.2]
• Ezell, Margaret J.M. Social Authorship and the Advent of Print. Baltimore: Johns Hopkins UP, 1999. Scott Nixon, The Queen's College, Oxford. [6.3 / Special Issue 6]
• Fanshawe, Richard. The Poems and Translations of Sir Richard Fanshawe. Vol. 1.  Ed. Peter Davidson. Oxford: Clarendon P, 1997. Jerome de Groot, University of Newcastle upon Tyne. [4.2 / Special Issue 3]
• Fausett, David. Writing the New World: Imaginary Voyages and Utopias of the Great Southern Land. Syracuse, New York: Syracuse UP, 1993. (With de Foigny, Gabriel. The Southern Land, Known. Trans. and ed. David Fausett. Syracuse, New York: Syracuse UP, 1993.) James R. Burns, Oriel College, Oxford. [2.2]
• Fernie, Ewan. Shame in Shakespeare. London and New York: Routledge, 2002. Jerry Brotton, Royal Holloway, University of London. [8.1]
• Thomas Festa. The End of Learning: Milton and Education. New York & London: Routledge, 2006. Angelica Duran, Purdue University. [14.1]
• Findlay, Alison. A Feminist Perspective on Renaissance Drama. Oxford: Blackwell, 1999. Karen Bamford, Mount Allison University. [6.2]
• Findlay, Alison. Illegitimate Power: Bastards in Renaissance Drama. Manchester: Manchester UP, 1994. Sonia Nolten, Oriel College, Oxford. [1.1]
• Findlay, Alison, Stephanie Hodgson-Wright and Gweno Williams, Women Dramatists 1550-1670: Plays in Performance. Lancaster University Television, 1999. Lisa Hopkins, Sheffield Hallam University. [6.3/Special Issue 6]
• Finucci, Valeria, and Regina Schwartz, eds. Desire in the Renaissance: Psychoanalysis and Literature. Princeton: Princeton UP, 1994. Thomas Luxon, Dartmouth College. [2.2]
• Fish, Stanley. How Milton Works. Cambridge, Massachusetts, and London, England: Belknap Press of Harvard UP, 2001. William Walker, University of New South Wales. [7.3]
• Fitter, Chris. Poetry, Space, Landscape: Toward a New Theory. Cambridge: Cambridge UP, 1995. Garrett A. Sullivan, Jr., Pennsylvania State University. [3.1]
• Flynn, Dennis. John Donne and the Ancient Catholic Nobility. Bloomington: Indiana UP, 1995. (With Donne, John. Pseudo-Martyr. Ed. Anthony Raspa. Montreal: McGill-Queen's UP, 1993.) Elizabeth Hodgson, University of British Columbia. [2.1]
• Forker, Charles R., ed. Richard II, 1780-1920. London: Athlone, 1998.  Timothy Rosendale, Southern Methodist University. [10.3]
• Forsyth, Neil. The Satanic Epic. Princeton: Princeton UP, 2002. Matthew Steggle, Sheffield Hallam University. [10.2]
• Foster, Verna A. The Name and Nature of Tragicomedy. Aldershot: Ashgate, 2004. Lucy Munro, Keele University. [12.2]
• Fowler, Constance Aston. The Verse Miscellany of Constance Aston Fowler: A Diplomatic Edition. Tempe: Renaissance English Text Society, 2000. Marie-Louise Coolahan, National University of Ireland, Galway. [7.2]
• Fowler, Elizabeth. Literary Character: The Human Figure in Early English Writing. Ithaca and London: Cornell UP, 2003. Jane Grogan, Pennsylvania State University. [11.2]
• Fumerton, Patricia. Unsettled: The Culture of Mobility and the Working Poor in Early Modern England. Chicago and London: U of Chicago P, 2006. Adam Hansen, Queen's University Belfast. [12.3]
• Gascoigne, George. A Hundreth Sundrie Flowres. Ed. G.W. Pigman III. Oxford: Oxford UP, 2000. Adam Smyth, University of Reading. [8.2 / Special Issue 10]
• Gill, Catie. Women in the Seventeenth-Century Quaker Community: A Literary Study of Political Identities, 1650-1700. Aldershot: Ashgate, 2005. Alison Searle, Queen Mary, University of London. [12.3]
• Gillies, John. Shakespeare and the Geography of Difference. Cambridge Studies in Renaissance Literature and Culture 4. Cambridge: Cambridge UP, 1994. Patricia Badir, University of British Columbia. [1.1]
• Goldberg, Jonathan. Desiring Women Writing: English Renaissance Examples. Stanford: Stanford UP, 1997. Kate Chedgzoy, University of Warwick. [6.1 / Special Issue 5]
• Graham, Kenneth J. The Performance of Conviction: Plainness and Rhetoric in the Early English Renaissance. Ithaca and London: Cornell UP, 1994. Shannon Murray, University of Prince Edward Island. [1.3]
• Grantley, Darren. English Dramatic Interludes, 1300-1580: A Reference Guide. Cambridge and New York: Cambridge UP, 2004. Scott Oldenburg, SUNY Buffalo. [10.3]
• Grantley, Darren, and Peter Roberts, eds. Christopher Marlowe and English Renaissance Culture. Aldershot: Scolar P, 1996. Peter J. Smith, Nottingham Trent University. [4.3]
• Grantley, Darren, and Nina Taunton, eds. The Body in Late Medieval and Early Modern Culture. Aldershot: Ashgate, 2000. [10] Margaret E. Owens, McMaster University [8.2 / Special Issue 10]
• Green, Ian. The Christian's ABC: Catechisms and Catechizing in England c. 1530-1740. Oxford: Clarendon P, 1996. Douglas Bruster, University of Texas, San Antonio. [3.3]
• Grossman, Marshall, ed. Aemilia Lanyer: Gender, Genre, and the Canon. Lexington: UP of Kentucky, 1998. Joyce G. MacDonald, University of Kentucky.[5.1]
• Guthke, Karl S. The Gender of Death: A Cultural History in Art and Literature. Cambridge: Cambridge UP, 1999, and Georges Minois. History of Suicide: Voluntary Death in Western Culture. Baltimore and London: Johns Hopkins UP, 1999. Mark Robson, University of Nottingham. [6.2]
• Guy, John, ed. The Reign of Elizabeth I: Court and Culture in the Last Decade. Cambridge: Cambridge UP, 1995. (With Baumann, Uwe, ed. Henry VIII in History, Historiography and Literature. Bern: Peter Lang, 1992.) Steven Gunn, Merton College, Oxford. [2.1]
• Hackel, Heidi Brayman. Reading Material in Early Modern England: Print, Gender, and Literacy. Cambridge: Cambridge UP, 2005. Emily Smith, Emory University [12.1].
• Hackett, Helen. Women and Romance Fiction in the English Renaissance. Cambridge: Cambridge UP, 2000. [9] Carrie Hintz, Queens College / CUNY. [8.1]
• Hadfield, Andrew, ed. The Cambridge Companion to Spenser. Cambridge: Cambridge UP, 2001. xx+278pp. William Barker, Memorial University. [8.3 / Special Issue 11]
• Hadfield, Andrew. Shakespeare and Republicanism. Cambridge: Cambridge UP, 2005. [15] Curtis Perry, University of Illinois.
• Hagstrum, Jean H. Esteem Enlivened by Desire: The Couple from Homer to Shakespeare. Chicago: U of Chicago P, 1992. Paul G. Stanwood, University of British Columbia. [1.3]
• Hale, John K. Milton as Multilingual: Selected Essays, 1982-2004.Otago: Otago Studies in English, 2005. Matthew Steggle, Sheffield Hallam University [11.3]
• John Hale. Milton's Cambridge Latin: Performing the Genres 1625-1632. Tempe, AZ: Arizona Center for Medieval and Renaissance Studies, 2005. [13.3] Angelica Duran, Purdue University.
• Hall, Kim F. Things of Darkness: Economies of Race and Gender in Early Modern England. Ithaca: Cornell UP, 1995. Bernadette Andrea, West Virginia University. [2.2]
• Halpern, Richard. Shakespeare Among the Moderns. Ithaca, NY: Cornell UP, 1997. Roger Starling, University of Warwick. [6.2]
• Hamilton, Donna B. Anthony Munday and the Catholics, 1560-1633. Aldershot, England ; Burlington, VT: Ashgate, 2005. Adam H. Kitzes, University of North Dakota. [12.3]
• Hamlin, Hannibal. Psalm Culture and Early Modern English Literature. Cambridge: Cambridge UP, 2004. L. E. Semler, University of Sydney. [12.1]
• Hamlin, William M. The Image of America in Montaigne, Spenser, and Shakespeare: Renaissance Ethnography and Literary Reflection. New York: St. Martin's P, 1995. Donna C. Woodford, Washington University at St Louis. [2.1]
• Hamlin, William M. Tragedy and Scepticism in Shakespeare's England. Early Modern Literature in History Basingstoke: Palgrave Macmillan, 2005. Dermot Cavanagh, University of Edinburgh. [12.2]
• Hansen, Melanie and Trill, Suzanne, eds. Voicing Women: Gender and Sexuality in Early Modern Writing. Renaissance Texts and Studies, Keele, Staffordshire: Keele UP, 1996. Elizabeth Hodgson, University of British Columbia. [3.1]
• Peter Happé. English Drama Before Shakespeare. London: Longman, 1999. Chester N. Scoville, University of Toronto [6.1 / Special Issue 5]
• Hart, Vaughan. Art and Magic in the Court of the Stuarts. London and New York: Routledge, 1994. Graham Parry, University of York. [1.2]
• Heitsch, Dorothea, and Jean-François Vallée, eds. Printed Voices: The Renaissance Culture of Dialogue. Toronto: U Toronto P, 2004. Robert W. Haynes, Texas A&M International University. [11.3]
• Highley, Christopher. Shakespeare, Spenser, and the Crisis in Ireland. Cambridge: Cambridge UP, 1997. Christopher Ivic, University of Western Ontario. [4.3]
• Highley, Christopher, and John N. King, eds. John Foxe and his World. Aldershot: Ashgate, 2002. Reviewed by Allyna Ward, University of Newcastle. [10.3]
• Hillman, David, and Carla Mazzio, eds. The Body in Parts: Fantasies of Corporeality in Early Modern Europe. London and New York: Routledge, 1997. Peter Smith, Nottingham Trent University.
• Hillman, Richard. Self-Speaking in Medieval and Early Modern English Drama: Subjectivity, Discourse and the Stage. Basingstoke, Hampshire: Macmillan; New York: St. Martin’s, 1997. Roger Starling, University of Warwick [7.1/ Special Issue 8]
• Hinds, Hilary. God's Englishwomen: Seventeenth-Century Radical Sectarian Writing and Feminist Criticism. Manchester: Manchester UP, 1996. Mark Houlahan, University of Waikato. [3.1]
• Holland, Peter. English Shakespeares: Shakespeare on the English Stage in the 1990s. Cambridge: Cambridge UP, 1997, and John Cox, Much Ado About Nothing (Shakespeare in Production). Cambridge: Cambridge UP, 1997. Christine Mack Gordon, University of Minnesota.[5.3 / Special Issue 4]
• Holmer, Joan Ozark. The Merchant of Venice: Choice, Hazard and Consequence. New York: St. Martin's P, 1995. Bryan N.S. Gooch, University of Victoria. [3.2]
• Honan, Park. Christopher Marlowe: Poet and Spy. Oxford: Oxford UP, 2005. Andrew Duxfield, Sheffield Hallam University.[12.1]
• Honan, Park. Shakespeare: A Life. Oxford: Oxford UP, 1998. Stuart Hampton-Reeves, University of Central Lancashire. [6.2]
• Hopkins, Lisa. Beginning Shakespeare. Manchester: Manchester University Press, 2005. [6] Brett D. Hirsch, University of Western Australia.
• Howard, Jean E., and Scott Cutler Shershow, eds. Marxist Shakespeares. Accents on Shakespeare.  Terry Hawkes, gen. ed. London: Routledge, 2001. Gabriel Egan, Globe Education (Shakespeare's Globe) and King's College, London. [7.2]
• Hume, David, of Godscroft. The British Union: A Critical Edition and Translation of David Hume of Godscroft's De Unione Insulae Britannicae. Ed. and trans. Paul J. McGinnis and Arthur H. Williamson. Aldershot: Ashgate, 2002. Reviewed by Christopher Ivic, SUNY, Potsdam. [11.3]
• Internet Shakespeare Editions. A Shakespeare Suite CD-Rom. Matthew Steggle, Sheffield Hallam University.
• Ivic, Christopher and Grant Williams, eds. Forgetting in Early Modern English Literature and Culture: Lethe’s Legacies.  London and New York: Routledge, 2004.  Anita Gilman Sherman, American University. [11.2]
• James, Heather. Shakespeare's Troy: Drama, Politics and the Translation of Empire. Cambridge: Cambridge UP, 1997. Huw Griffiths, University of Dundee. [4.3]
• Jardine, Lisa. Reading Shakespeare Historically. London and New York: Routledge, 1996. Anne McLaren, Liverpool University. [4.2 / Special Issue 3]
• Jarvis, Simon. Scholars and Gentlemen: Shakespearean Textual Criticism and Representations of Scholarly Labour, 1725-1765. Oxford: Clarendon P, 1996. Bryan N.S. Gooch, University of Victoria. [2.3]
• Johnson, A.W. Ben Jonson: Poetry and Architecture. Oxford: Oxford UP, 1994. Robert C. Evans, Auburn University at Montgomery. [1.2]
• Johnson, Nora. The Actor as Playwright in Early Modern Drama. Cambridge: Cambridge UP, 2003. Ben Spiller, Sheffield Hallam University. [9.3 / Special Issue 12]
• Jones, Ann Rosalind, and Peter Stallybrass. Renaissance Clothing and the Materials of Memory. Cambridge: CUP, 2000. Jerome de Groot, University College Dublin. [8.3 / Special Issue 11]
• Jonson, Ben. Every Man In His Humour. Ed. Robert Miola. Manchester: Manchester UP, 2000. Ben Jonson. Every Man Out of His Humour. Ed. Helen Ostovich. Manchester: Manchester UP, 2001. Matthew Steggle, Sheffield Hallam University. [7.3]
• Jonson, Ben. Epicene, or The Silent Woman. Ed. Richard Dutton. Manchester: Manchester UP, 2003. [7] Tom Lockwood, University of Birmingham. [12.3]
• Joughin, John H., ed. Philosophical Shakespeares. London: Routledge, 2000. Roger Starling, University of Warwick. [6.2]
• Joughin, John J., ed. Shakespeare and National Culture. Manchester: Manchester UP, 1997. Swen Voekel, University of Rochester, Rochester, NY. [3.3]
• Kaske, Carol V. Spenser and Biblical Poetics. Ithaca and London: Cornell UP, 1999. Hannibal Hamlin, The Ohio State University, Mansfield. [8.2 / Special Issue 10]
• Kastan, David Scott. Shakespeare After Theory. London and New York: Routledge, 1999. Edward Gieskes, University of South Carolina [6.1 / Special Issue 5]
• Eve Keller. Generating Bodies and Gendered Selves: The Rhetoric of Reproduction in Early Modern England. Seattle and London: U of Washington P, 2007. Sara D. Luttfring, University of Illinois at Urbana-Champaign. [14.1]
• Kerrigan, William. Shakespeare's Promises. Baltimore and London: The Johns Hopkins UP, 1999. [11] Danielle Clarke, University College, Dublin. [9.3 / Special Issue 12]
• Keyishian, Harry. The Shapes of Revenge: Victimization, Vengeance, and Vindictiveness in Shakespeare. Atlantic Highlands, N.J.: Humanities P International Inc., 1995. Bryan N.S. Gooch, University of Victoria. [4.1]
• Kezar, Dennis. Guilty Creatures: Renaissance Poetry and the Ethics of Authorship. New York: Oxford UP, 2001. Scott Newstrom, Oberlin College. [7.3]
• Dennis Kezar, ed. Solon and Thespis: Law and Theater in the English Renaissance. South Bend: U of Notre Dame P, 2007 [14] Todd Butler, Washington State University.
• Kilroy, Gerard. Edmund Campion: Memory and Transcription. Aldershot: Ashgate, 2005. [13] Jason Scott-Warren, University of Cambridge.
• King, Andrew. The Faerie Queene and Middle English Romance: The Matter of Just Memory. Oxford: Oxford UP, 2000. Joshua Phillips, University of Memphis. [11.2]
• King, John N., ed. Voices of the English Reformation: A Sourcebook. Philadelphia: U of Pennsylvania P, 2004. Booty, John E., ed. The Book of Common Prayer 1559: The Elizabethan Prayer Book. Charlottesville: U of Virginia P for the Folger Shakespeare Library, 2005. Timothy Rosendale, Southern Methodist University. [12.3]
• Klein, Bernhard. Maps and the Writing of Space in Early Modern England and Ireland. Basingstoke: Palgrave, 2001. Andrew Murphy, University of St Andrews. [8.3 / Special Issue 11]
• Kronenfeld, Judy. King Lear and the Naked Truth: Rethinking the Language of Religion and Resistance. Durham: Duke UP, 1998. Ken Jackson, University of Connecticut.
• Lancashire, Ian, ed. Certaine Sermons or Homilies appointed to be read in Churches, in the time of the late Queene Elizabeth of famous memory (1623). [Renaissance Electronic Texts 1.1]. U of Toronto: Centre for Computing in the Humanities, 1994. Ronald B. Bond, University of Calgary. [2.2]
• Lander, Jesse M. Inventing Polemic: Religion, Print, and Literary Culture in Early Modern England. Cambridge: Cambridge UP, 2006. Ian McAdam, University of Lethbridge. [12.3]
• Larson, Deborah Aldrich, ed. The Verse Miscellany of Constance Aston Fowler: A Diplomatic Edition. Tempe: Renaissance English Text Society, 2000. Marie-Louise Coolahan, National University of Ireland, Galway. [7.2]
• Lee, John. Shakespeare's 'Hamlet' and the Controversies of Self. Oxford: Clarendon P, 2000. Roger Starling, University of Warwick. [7.2]
• Lehmann, Courtney, and Lisa S. Starks, eds. The Reel Shakespeare: Alternative Cinema and Theory. Madison and Teaneck, NJ: Fairleigh Dickinson UP; London: Associated UP, 2002. Carolyn Jess, The Queen’s University of Belfast. [10.1]
• Leslie, Marina. Renaissance Utopias and the Problem of History. Ithaca and London: Cornell UP, 1999. Rachel Warburton, University of Alberta. [6.1 / Special Issue 5]
• Lestringant, Frank. Mapping the Renaissance World: The Geographical Imagination in the Age of Discovery. Trans. David Fausett. Berkeley: U of California P, 1994. Garrett Sullivan, Pennsylvania State University. [2.2]
• Lewis, Cynthia. Particular Saints: Shakespeare's Four Antonios, Their Contexts, and Their Plays. Newark and London: U of Delaware P, 1997. Elizabeth Burow-Flak, Valparaiso University. [5.2]
• Liebler, Naomi Conn. Shakespeare's Festive Tragedy: The Rituals Foundations of Genre. New York: Routledge, 1995. Jeffrey Kahan. [2.3]
• Lim, Walter S.H. The Arts of Empire: the Poetics of Colonialism from Ralegh to Milton. Newark and London: U of Delaware P and AUP, 1998. Jim Daems, University of Wales, Bangor. [6.1 / Special Issue 5]
• Lindley, David. The Trials of Frances Howard: Fact and Fiction at the Court of King James. New York: Routledge, 1993. Bryan N.S. Gooch, University of Victoria. [3.1]
• Lindley, David. Shakespeare at Stratford: The Tempest. London: Thomson Learning, 2003. Katherine Wilkinson, Sheffield Hallam University. [11.3]
• Linton, Joan Pong. The Romance of the New World: Gender and the Literary Formations of English Colonialism. Cambridge: Cambridge UP, 1998. Allen Carey-Webb, Western Michigan [5.3 / Special Issue 4]
• Locke, Anne. Anne Locke. A Meditation of a Penitent Sinner: Anne Locke's Sonnet Sequence with Locke's Epistle. Edited and with an Introduction by Kel Morin-Parsons. Waterloo, Ontario: North Waterloo Academic Press, 1997, and Anne Vaughan Lock. The Collected Works of Anne Vaughan Lock. Ed. Susan Felch. Medieval and Renaissance Texts and Studies, v. 185. Tempe, Arizona: Arizona Center for Medieval and Renaissance Studies; Renaissance English Text Society, 1999. Robert C. Evans, Auburn University at Montgomery. [6.2]
• Brian Lockey, Law and Empire in English Renaissance Literature. Cambridge: Cambridge UP, 2006. Todd Butler, Washington State University. [13.3]
• Longfellow, Erica. Women and Religious Writing in Early Modern England. Cambridge: Cambridge UP, 2004. L. E. Semler, University of Sydney. [11.1]
• Love, Harold. Scribal Publication in Seventeenth-Century England. Oxford: Oxford UP, 1993. Margaret Downs-Gamble, Virginia Tech. [1.1]
• Love, Harold. English Clandestine Satire, 1660-1702. Oxford: Oxford UP, 2004. [14] Tom Lockwood, University of Birmingham.
  
• Lowenthal, David. Shakespeare and the Good Life: Ethics and Politics in Dramatic Form. Lanham, MD: Rowman & Littlefield, 1997. Jeffrey Tessier, McMaster University.[5.3 / Special Issue 4]
• Loxley, James. Royalism and Poetry in the English Civil Wars. Basingstoke and New York: Macmillan, 1997. Jim Daems, University of Wales, Bangor. [5.1]
• Luborsky, Ruth Samson and Elizabeth Morley Ingram. A Guide to English Illustrated Books 1536-1603. Tempe, AZ: MRTS, 1998. Joseph Jones, University of British Columbia Library. [9.1]
• Lucking, David. Plays Upon the Word: Shakespeare's Drama of Language. Lecce: Millella, 1997. John Pendergast, Southern Illinois University-Edwardsville. [6.1 / Special Issue 5]
• Luckyj, Christina. A moving Rhetoricke': Gender and Silence in Early Modern England. Manchester: Manchester UP, 2002. Danielle Clarke, University College Dublin. [9.1]
• Luxon, Thomas H. Literal Figures Puritan Allegory & the Reformation Crisis in Representation. Chicago: U of Chicago P, 1995. David Gay, University of Alberta. [2.3]
• Tom McAlindon. Shakespeare Minus ‘Theory’. London: Ashgate, 2004.  Thomas Clayton, University of Minnesota. [14.1]
• MacCulloch, Diarmaid. Thomas Cranmer: A Life. New Haven: Yale UP, 1996. Sean Lawrence, University of British Columbia. [4.3]
• MacLean, Gerald, Donna Landry, and Joseph P. Ward, eds. The Country and the City Revisited: England and the Politics of Culture, 1550-1850. Cambridge: Cambridge UP, 1999. Bryan N.S. Gooch, University of Victoria. [6.1 / Special Issue 5]
• Maggi, Armando. In The Company of Demons: Unnatural Beings, Love, and Identity in the Italian Renaissance. Chicago and London: U of Chicago P, 2006. Neil Forsyth, University of Lausanne. [12.3]
• Malcolmson, Christina. Heart-Work: George Herbert and the Protestant Ethic. Stanford: Stanford UP, 1999. Paul Dyck, Canadian Mennonite University.[7.3]
• Maley, Willy. Salvaging Spenser: Colonialism, Culture and Identity. London: Macmillan; New York: St. Martin's P, 1997. Christopher Ivic, University of Western Ontario. [4.1]
• Mallin, Eric S. Inscribing the Time: Shakespeare and the End of Elizabethan England. Berkeley: U of California P, 1995. Tony Dawson, University of British Columbia. [2.1]
• Manley, Lawrence. Literature and Culture in Early Modern London. Cambridge: Cambridge UP, 1995. (With Smith, David L., Richard Strier, and David Bevington, eds. The Theatrical City: Culture, Theatre and Politics in London 1576-1649. Cambridge: Cambridge UP, 1995.) Emma Smith, All Souls College, Oxford. [1.3]
• Maquerlot, Jean-Pierre, and Michele Willems, eds. Travel and Drama in Shakespeare’s Time. Cambridge: Cambridge UP, 1996. [20]. Bernhard Klein, University of Dortmund.
• Marotti, Arthur F. Religious Ideology and Cultural Fantasy: Catholic and Anti-Catholic Discourses in Early Modern England Notre Dame, Indiana: U of Notre Dame P, 2005. Alison Shell, University of Durham. [12.2]
• Martindale and A.B. Taylor, eds. Shakespeare and the Classics. Cambridge: Cambridge UP, 2004. Nicholas Moschovakis, Reed College. [12.2]
• Masten, Jeffrey. Textual Intercourse: Collaboration, Authorship, and Sexualities in Renaissance Drama. Cambridge: Cambridge UP, 1997. Mary Bly, Washington University in St. Louis. [4.1]
• Marlowe, Christopher. The Complete Works of Christopher Marlowe (Vol. 3): Edward II. Ed. Richard Rowland. Oxford: Oxford UP, 1994. Robert Lindsey, Oriel College, Oxford. [1.1]
• Sonia Massai, ed. World-wide Shakespeares: local appropriations in film and performance. London and New York, Routledge, 2005. [7] Daniel Cadman, Sheffield Hallam University.
• Matchinske, Megan. Writing, Gender and State in Early Mo